Poems and Music
NEXT - TROY'S DIARY
MY RICH MOUNTAIN HOME
When it's autumn time in old Rich Mountain
And the summer leaves begin to fall,
With every gentle breeze
Softly falling from the trees,
With their voices low and sweet I hear them call.
Sweet and low their gentle voices calling,
Pleading that I never more shall roam,
And before the autumn leaves
All are fallen from the trees,
I'll be going back to my old cabin home.
I'm sure there must be mountains up in heaven,
In that land where we will all be free from care.
With a cabin for my home
I would never care to roam.
Twould be heaven for me with my mother there.
Sweet and low I hear the mountains calling,
Pleading that I never more shall roam,
When I see those rugged hills
Then my heart with rapture thrills,
For I know I soon shall see my dear old home.
When its twilight time in old Rich Mountain
And the shades of night fall 'round the cabin door,
I can see my mother's face,
Standing by the window place,
Calling to us as she did in days of yore.
Sweet and low her gentle voice is calling,
Pleading that I never more shall roam.
Mother I can hear your call,
And I'm homesick for you all
So I'm coming back to my old cabin home.
But there came a parting time in old Rich Mountain
And the shades of death upon my mother fell.
But I still can see her there,
Just within the portals fair,
Calling to the dear ones here she loved so well.
Sweet and low her gentle voice is calling,
Pleading that we never more shall roam.
O'er and o'er the words repeat,
"Won't you kneel at Jesus' feet?
He'll forgive your sins and bring you safely home."
There'll be other parting times in old Rich Mountain,
For the shades of death on all of us must fall.
I can hear another voice
Saying, "Will you make the choice?"
'Tis the Saviour, Will you heed his gentle call?
Sweet and low his gentle voice is calling,
Pleading that I never more shall roam.
I can hear his voice of love
Calling to me from above
And a broken-hearted boy is coming home.
(1933)
EMMANUEL
As the lowly-shepherds watched their flocks by night
In the darkness never dreaming of the light,
Suddenly the brightness of the Lord came down!
Angels sang of peace, and glory shone around.
Glory! Glory! Christ Emmanuel!
God is with us, all is well!
In an upper chamber, blinded by their fear,
In the darkness never dreaming God was near,
Suddenly upon them came their soul's desire,
Burning through the dark with flaming tongues of fire!
Glory! Glory! Christ Emmanuel!
God is with us, all is well!
In this age of sorrow, blinded by our tears,
In the darkness never dreaming Christ draws near!
Suddenly the heavens burst with blinding light!
At His glorious coming he shall end all night!
Glory! Glory! Christ Emmanuel!
God is with us, all is well!
(Christmas, 1943)
IF I WERE GOD
If I were God I know I'd be too free!
I'd want to cherish all the things I see-
I'd fondle planets like a child at play,
And run my fingers through the milky way,
And stars and suns would suffer at my touch-
If I were God I know I'd move too much.
If I were God I know I'd be too strong!
I'd want to hurry every world along,
And crush a few together for a test-
Make great experiments with all the rest.
I'm much too curious about the end;
If I were God, the world would need a friend!
If I were God I know I'd be too wise!
I couldn't stand the hurt in human eyes.
I'd take down all the barriers, right the wrongs,
And make the path so easy for the throngs
That men would grow up soft, and easy prey
To evil. It's much better done his way!
EUCHARIST
For I could wish my hands were scarred
My face would shine with holy light;
--Not that for fame would I be marred,
Or for myself be glorified--
But that to you I might reveal
'Tis Christ, who for you all hath died,
Invites you to this holy meal,
Who stands before you now as then
And bids you eat and drink by me.
Oh, could I suffer so that when
I break this bread you all shall see
My Saviour's face!
"QUEST FOR GOD?"
Why do they call it a quest,
This vivid consciousness -
This white-hot flame?
Why do they call it a quest?
Do they go seeking in the black
As a lost child gropes the forest track
And vainly call his name?
While I bow down and hate myself
For lust of flesh and love of self
And weep with heart exposed!
(O shame! to know "The Way,"
To walk in light of truth's full day
And despise such light disclosed!)
Why do they call it a quest,
This vivid consciousness
Of peace so sweet.
For me it is no quest;
Not sought, but found, his glorious face
I drink its light - devour its grace
As a hungry man eats meat!
These are wiser far than I,
Why are they so blind of eye?
Why do they call it a quest?
Haven't they found rest?
ADOBE
I saw a worker build a wall today,
Unfriendly, bare, and lifted up.
And of the selfsame clay
I saw another make a cup -
Three fingers high -
To slake the thirst of every passer-by.
METAMORPHOSIS
Once, long ago, I was a child.
I lived on pure things: Bread
White and fine,
Dipped in red -
The red of new wine
Sweet and mild.
But I had always a desire -
It burned like fire!
And flamed each hour afresh.
I wanted meat -
Some solid thing to eat.
My soul would live on flesh!
So I forgot the pure,
And sunk my talons strong and sure
Into the flesh of THINGS.
Gorged my soul and gave it wings!
I lived where eagles lived, ate eagle's fare.
But all at once the air
Was putrid with the stench of death!
I reeked with carrion, and my breath
Was as a new tomb opened wide.
And something died
Within me!
O God! How?
Once I was a child, but now
Now
I
am
a
vulture!
- The progress of spiritual decay from the
Communion table to companionship with maggots.
THE CHILDREN PLAYED
The children played with toys;
Sticks, and clubs, and stones,
Little girls and boys
Of cave men. Then anger came
And fighting; bruised heads and broken bones
And children bloody, screaming, lame!
Their fathers came correcting,
Chastising every child,
Uncivilized and wild,
But still in love directing.
The children played
With complicated toys -
These modem girls and boys -
And in their playing, strayed;
Misused machines of evil dread;
In anger turned the atom into fear, -
And in a modern year
Left one another bleeding, bruised and dead.
Their Father from above
Also chastised
These highly civilized
Children, broken-hearted in His love.
(1950)
THANKS GIVING
Our blessed Savior bowed his head
To thank God for five loaves of bread
And when they shared the bread he blessed,
There was enough for all the rest
-and even more!
Teach us, 0 Lord, in this good land
Of bounty from thine own great hand -
That only as we bless and share
Will there be bread enough to spare
-and even more!"
- Amen
- (1950)
TRUE RICHES
That is not treasure which is hoarded as a miser
grasps his gold;
But only that which, like the widow's cruse of old,
Increases as 'tis given and poured forth to meet
the need
Of a hungry heart, and emptied, fills indeed.
(Of the lines that I have written the above are my favorite ones. I strive to make them my true philosophy of life.)
CONSECRATION
My hands and my feet shall sing praises to God,
My pick and my plow, as I turn the deep sod!
My lips, and my heart, every pan of my frame,
With all I possess, shall exalt his dear name!
LOOK UP!
Christ wore the curse of sorrow to the grace
Leaving it there, full dead, within the cave;
Casting it off, like grave-clothes when he came
Triumphant forth to meet the light again.
Dead souls may haunt His burial place,
But living ones look UP to see His face.
And so I lay my SORROW 'neath the sod;
But HOPE and JOY look upward, unto God.
- Published in "Religious Telescope" 1942
How strongly we are tempted to take the easy way! How simple it is to proclaim the "Fatherhood of God" and ignore the words of the "Son of God" himself! Jesus' every
word and parable, indeed his very coming to earth in itself, is for the purpose of saving man from the family of Satan and bring him into the Father's household.
WHO ARE GOD'S SONS?
Who are the sons of God?
Are all men such?
Does every rebel dare
To claim so much?
What is the filthy clod
Without his touch?
Who are the sons of God
His armies tramp
'Gainst sons of Satan, led
By hell's red lamp.
They march on bloody sod
To take that camp!
Who are the sons of God?
These men of lust
W'ho drag divine creation
In the dust?
Have they been born again?
Christ said, "Ye must!"
Who are the sons of God?
Let Jesus say!
'Twas not the multitude
He taught to pray
"Our Father --;" but disciples
Of "The Way."
(1943)
These lines came to me after a speaker in college chapel service, by his rash declaration that, "Jesus came into the world to prove that all men are the children of God," had led a fine young football
player to refuse Christ as his Saviour, saying, "I am a child of God as well as you. I don't need your salvation!"
ORCHESTRA
The skies shall sing and play to me
Tonight, a glorious symphony.
The stars shall be the timbrel bells
And clouds resound the organ swells.
The rolling thunder-drums shall beat
To time the rain's swift, marching feet
(Like thoughts across a fevered brain
That march, and wheel, and march again.)
Roaring winds and lightning flashes
Flames of sound, like cymbal crashes!
Chinese cymbals, hammered brass
Tinkling cymbals, made of glass.
Now the forte of storm is past;
Comes the velvet calm at last.
Nightingale, upon a limb,
Sings a dulcet nocturne hymn.
Moonlight beams on rippling streams -
Shepherd's pipes to play my dreams.
Tiny flute, and clarinet,
Trumpet clear, and castanet.
Whispering breeze, and night-bird's call
Upon the silent shadows fall.
My heart joins in the blessed strain
Of the earth's age-old refrain,
And all of nature's voices raise
In the anthem to God's praise.
Now quiet rest joins in the theme
And peacefulness fulfils my dream.
Soft comes the sweet "Amen" of sleep,
And makes my symphony complete.
-(1939)
Published in "Quiz and Quill," Otterbein College,
December, 1942. First prize, Burkhart Poetry
THE THREE MARYS
We three to the garden went
Early in the morning.
We three to the garden went
With dawn the skies adorning.
Myrrh and aloes took we there
To anoint his body fair.
We three in the garden were --
Early in the morning.
We three in the garden were
Early in the morning.
But our Master was not there
So early in the morning.
An angel came at break of day
And he rolled the stone away
Peace to you, he then did say
Early in the morning.
We three from the garden came
Early in the morning
But our hearts were not the same,
Great joy in place of mourning.
Angels on their harps now play
"Christ the Lord is risen," they say.
Joy in earth and heaven today
This glad Easter morning.
(Easter, 1935)
THE TRAGEDY OF DREAMING
Why do I not laugh?
Why am I not exultant - all afire?
Here is the flesh and blood,
The warm breath of my full desire!
And yet I stand - unmoved
- As though I were unloved.
How can I stem the flood
Of ecstasy rampant within?
Such indifference is sin!
Long ago
This dream did come alive,
And ecstasy did thrive
Within me! I put forth my hand
and touched - fondled - reveled'.
Now the flame is gone - you understand?
The hills of fire are leveled
Nor left a single height
No gleam to pierce the night
Within me. Love is old
Not living now - but cold.
Alas! I DREAM!
Why do I not weep?
My love is not asleep -
She is dead! Hard-hearted fool'
My tears should form a pool,
An overwhelming flood
To mingle with her blood,
To purge my mind!
Besides that - tears would blind.
The walls were stone
And there I stood, alone!
Sobbing, screaming in the night,
Too frightened yet for flight!
For I have watched her die
Too many times! Now I
Can only stand, and seem
Hard-hearted. You see - I DREAM.
Why am I not ill?
Why do not my nostrils quake
With violent nausea at this lake
Of blood? From afar
I heard the guns of war.
And now I see, and feel,
65 I know it's real!
Against my will
I breathe its fetid breath,
Yet I do not retch up
The very odor of this carnal cup!
Why am I not ill to death?
In time of peace I saw
This crimson maw -
This filthy death - this reeking cairn -
This stew of entrails, seasoned well
With shrapnel from the pepper-pot of hell!
A thousand times I sickened on this mess
Within my inner consciousness.
My heart drew pictures far too real
Anticipating. Now, I cannot feel!
For dreamers, there is nothing new.
Alas! I dream - DO YOU?
(1945)
(The curse of imagination is its power to steal the emotion from all new experiences. It leaves all adventure flat with the stale taste of deja va.)
RAIN WITCHES
Oft when the comfort of the rain has ceased
Upon the hills but for a little while,
From out the leafy aisle
And rock-rimmed glen arise
Mist forms, from mystic depths released,
lift metaplasmic fingers to the skies.
Weird father has the storm become to these
Rain-witches, borne elusive from the trees;
As some generative finger, reaching low
To touch the mother earth, had caused to grow
These frail ghost-children, forth to spring afresh
From every spot the lightning touched her flesh.
The magic of your finger tips is such
That strange wish-children rise at every touch.
But when I would enfold them to my heart,
They drift apart.
(1944)
My mother named them "rain witches," these wavering wisps of vapor which climb the invisible stairs of barometric pressure in the forests of Monongahela. "When you see them," she said, "it will always rain again before the storm is over." I have
never known her observation to fail.
Older weather prophets rhymed:
"Fog on the hills,
Water for the mills."
THE NECESSITY OF POETRY
He must lift up his voice in the rhyming art,
For only a poet can speak for the heart.
Whatever man sees of beauty
that overwhelms the eye,
Or what he feels of ecstasy
That fills too full his soul,
And all he knows of duty
Which drives him on to die;
When man has dreams of fantasy,
Or reaches high for a goal,
He must speak in rhyme and beauty of word
And of phrase and rhythm, or he cannot be heard.
When a man looks deep in a woman's eyes
Or a sleeping baby's face,
When the strength of love lifts far above
The evil, the flesh and the clod,
When he lifts his eyes to the mystic skies
And ponders on time and space,
And by fancy deep in infinity roves
To humbly rub shoulders with God,
He must lift up his voice in the rhyming art,
For only a poet can speak for the heart.
(1956)
WISHING BRIDE
(To Betty)
I shall not leave you lonely
But in the night I shall be near
When you sit alone with cares and fear.
Hands shall reach across the night
- Too firm for unreality, yet too light
To be real flesh - shall touch your finger-tips,
Turn again the golden band
Upon your finger - lift your hand
And draw it to my lips.
I shall not leave you lonely
But in the bright new courage of the dawn
My arms shall find you - half unwilling, half asleep
And caress you wide awake to morning's light.
Together we shall find the end of night.
You shall be drawn
By phantom arms more real, by love more deep
Than ever living flesh be giving
Or human heart express, and go on living.
I shall not leave you lonely -
But in the day's full power
Firm lips shall press upon your yielding ones.
And on a dream-road wildly beautiful, alone,
We shall stop, and for an hour
The world shall cease to be, and only
Your eyes shall be real - two living pools,
Dew-dim with tears - within whose depths,
o'erfull,
I plunge, and try in vain to drown my love.
The true lover is never so far from his beloved but he can return in moments of powerful thought and be almost real. Almost? Yes, even more than real! There really is such a thing as teleportation!
.
CRIMSON MIRROR
I went into the woods again today
To let their quiet drive my cares away.
I saw the sunrise - like a crimson flood,
Reminder of grim Eastern fields of blood.
A dove's low moaning in a red-bud tree
The cry of wounded men became to me.
And what I thought were bluebirds in the sky
Were really bombers passing, flying high.
At evening time the sky again was red -
A mute dispatch to tell of Western dead.
O God of merry! Can the sunlight fall
On red-stained German fields, and cast a pall
Of crimson on a dawn so far away?
Does that same sun reflect, at close of day
Upon Pacific waters red with gore
And write upon our sunset, "Nevermore"?
Such angle of reflection could not be
As mirrored that mirage of death to me;
But laws of light and physics fall apart
When shining through a broken human heart.
I went into the woods again today -
I wish I'd stayed away.
(1945)
(This and the next four poems are out of the tragic years of World War II.)
BREATH OF DESTINY
What wind of mischief! What malicious gale
Now rends with talon'd feet this tranquil vale
Where beauty reigned, and yearning hovered o'er?
What souls are those caught in its hungry roar -
Dragged helplessly by mad, cyclonic breath,
Together driven into its cavernous death?
The livid lightning of its living eyes
Illuminates the ragged, rending rise
Of vortex to the angry clouds above,
Reveals the barren earth devoid of love.
Yet in its fire that barreness is warm,
And gathers insane glory from the storm!
No masters, we! The storm controls our fate -
Once caught within its charms, 'tis far too late
To miss its destiny! So yield thy rebel flesh
And know the mad adventure all afresh.
And do not tremble as a child in fricht -
'Tis simple yielding brings the sweet delight!
(Faced with nuclear destruction, today's youth often resort to this crisis philosophy: "Live each day to the full - there may be no tomorrow." This attempts to explain them. Perhaps some may
feel it even defends them.)
THREE VOICES CRY
High is the cry of the warriors -
Strong and high!
But it comes o'er the noise of battle
Faint as a sigh.
Like the cry of little children
About to die.
Low is the cry of the wounded -
Softly they moan.
Lending to war's dread music
A minor tone;
And the human heart can hear it
By love alone.
Loud is the cry of the dead ones
Prone on the sod.
Out of the maddening silence
Still hearts, o'ertrod,
Cry for the end of all battles.
One hears - even God!
(1944)
I wish I could set these words to funeral music and have them
chanted in low tone to all the leaders of the nations, unceasingly.
MISERERE FINI
One whose lips seemed moved by rare delight,
As though her dwelling were the verge of bright
New visions; told of wandering in a dream
Of transient beauty by an unquiet stream
To hear an oriole sing.
In simple words almost akin to sighing
She said: "He wasn't singing, he was crying."
Then like a hot, barbed arrow came the thought:
Can it be this sombre mood has caught
In every living thing?
Are even singing birds, then, ill at ease?
Does human sorrow rise, engulf the trees
As some dread force invisible, to clasp
The whole of nature in its sickening grasp
of melancholy blight?
"The whole creation groaneth as in pain -"
My dirge began. With radiant joy again
The maiden spoke. Me oriole soared above
The shadow of the mom, and found his love
Within the higher light."
(1944)
AUTUMN REVISITED
I had forgotten
Cathedral silences of forest halls at mom,
And smell of fallen leaves in autumn rain;
The jewelled glory of a frosty moonlit night;
The hard blue brilliance of October days,
And the ways
Of cackling tours of southbound birds in flight;
Pathetic wings of butterflies late- born
All vainly hailing summer back again.
I had forgotten
these
And many other poignant memories
That now come rushing back at every brown
Leaf that drifts on autumn's fitful breeze.
But now I have them here all written down,
I'll not again forget, tho' ne'er again
Will I behold my hills at this blest time
Of year. I cannot capture in one rhyme
Forest odors, frost, and sun and rain.
No, I will not forget
For I have had a promise from my Lord
That Paradise shall come - He gave his word,
And I shall enter heaven even yet!
For what is heaven but the having, at long last,
Of all the perfect things from out the past?
I had forgotten, yes. But after all life's pain
Is over, I shall have them back again.
--- And love, if this is true,
Shall I not also have you, too?
(October, 1959)
MORNING WATCH
Morning!
Sunlight pours!
Blinding crashes burst the doors
Of night.
Swords of light
Put the black-robed shades to flight.
Wild voices
Of the spaces
Chant the victory song of light.
Trees lift limbs in worship far and near.
Hills and valleys clap their hands and cheer,
And morning-glory trumpets sound so clear
I have to put my finger in my ear.
Even the soft south wind
Storms my heart like a cavalry charge:
How can I worship in this din
Of nature's shouting in a sanctuary so large?
Please forgive me, Lord,
If I confuse thy written and thy new-created word
Haven't you heard?
It is morning!
A MAP IS A THING OF MAGIC
Across the vale
Outside my window to the west arises
A mountain wall
Sinister against the sunset, tall
And part of all
That time and space so cruelly comprises
For my heart a jail.
And I recall
That eastward from your window, too,
Is lifted high
A mountain by a lake, in crimson hue
From sunset sky.
I am reminded - hills imprison you!
Your soul, too, has a wall.
Then, like a part
Of some weird conjure, there is lying
Within my hand
A map - a thing of magic - and I span
The intervening reaches. All the land
Between us melts, and miles decrying
I hold you to my heart!
(To Betty) - (October, 1955)
(Written while I was at Shenandoah and too busy to take vacation trips. Not wishing to deprive my wife I insisted that she take the western trip with her sister, Elma, and her niece
Annis, which she was invited to take.)
RELATIVITY
I waited alone in the darkness,
And my yearning was like pain!
I longed for you in the darkness,
But my longing was in vain!
Though I could hear our breathing,
You were never so far away,
And the long, long night was lonely,
And I wept, and prayed for the day.
The few short steps between us
Were wide as the gulf of space!
And I learned that doors that are open,
Not closed ones, prison a place!
But tonight there are miles between us
Yet I hold you close to my heart,
And I know now that often you're nearest,
When we are farthest apart.
So I doubt the nature of distance
When it keeps me from your charms.
For when you are near, you're far away
- Except when you're in my arms.
I think I have learned a secret
Not opened by science or art.
The hands reach out as the arms are long,
But a heart reaches out to a heart!
(For Betty) 1956
(Written when Betty was on a Canadian trip with her
sister, Elma Bornstein.)
CONQUEROR OF THE YEARS
I found a chimney-stone among the grasses
And reverently turned it over with my hands,
And - quick as thought - the fleeting present passes
For scenes more real! The past before me stands!
A house is there, with every chink and cranny
And mark of axe, and weatherbeaten stain.
But reason, cruel-hearted, wise uncanny,
Cries out, "These things shall never be again."
I feel a breeze with tang of wood-smoke laden;
Incense divine! So rare it has no name -
And see once more my firelit forest haven
Where green-cut oak lies seething in the flame;
Hold out my hands and watch the smoke uprising
While fire-born wild flame-dancers leap and start;
Hold out my soul, to thaw within their blazing
The frozen memory-chambers of my heart.
I hear a voice familiar to my teardrops,
But laughter makes a rainbow of my tears,
For fancy loans its magic to the moment
And cancels all the intervening years.
To make untrue the charge that childhood's laughter
Must wait to ring again in courts above.
What has been, and shall be hereafter
Is now, by every law of yearning love.
(1944)
(Only those whose childhood home was a log cabin in the Appalachians will catch all the nostalgia of these homesick lines. Nothing assails the sense of smell so strongly with memories as smoke
from a green oak fire!)
ACCUSER VS. ADVOCATE
("And they overcame him by the blood of the Lamb, and by
the word of their testimony, and they loved not their lives
unto death."
- Rev. 12:11)
To cause to faint the weakest saint
The demons all engage,
To stem the flood of Jesus' blood
All hell is in a rage!
See Satan stand at God's left hand-
Accuser of us all!
Opponent of the Son, whose love
Redeemed us from the fall.
"Your sins," he cries. The Blood replies,
"There is no sin."
He screams, "The past!" and to the last
The blood, above his din,
Speaks out alone there at the throne,
"There is no past."
'Til Satan, prone, must leave alone,
And we are free at last!
(8-3-1961)
HISTORY
Men, money, politics, God
Almighty dollar, sacred sod,
Die for your country, feed the poor,
Love one another, blood on the floor.
Men, money, politics, - No!
How can that other word be so?
Cut out the heart of this civilized clod
All you have left is "Men" and "God."
(There is no illness quite like the nausea created by demagogues.)
SEDITION
My soul cries out!
Things are not good enough!
I am not satisfied with democracy
The democracy of nineteen hundred
Forty-five
Woe to you who sit
Complacent - who
Wildly acclaim the status quo -
Woe!
Because you hold no honor,
No high exalting of justice,
No dream of a more excellent way,
Higher!
Have you let vision fade
In blind indolence?
Do you see no violation in this day -
This day when men
Become as dust,
The dust of atoms?
My soul cries out!
I am not just sounding brass,
I know a better tune.
Its grandeur is the march of ages.
I am not satisfied
With democracy!
I have seen a Kingdom.
I have seen peace, plenty, purity!
I have seen God!
(1945)
(In this year many looked to the United Nations as the very
"Kingdom of God." This idol, too has feet of clay!)
THE THREE REBELS
See, in the waning light!
There - there dwells humanity.
Scarce a third of the way to the height!
Content in mediocrity.
High are the legal walls
Of their cultural halls,
And of gates well-guarded - three.
Rebel the First
Solemn and sure the clan's decree:
"None shall go back into that vale
Whence all of us have come."
Thus Virtue declared beyond the pale
The black enigma of this blacker sea.
But there was one
Who looked with curious eyes upon its edge;
And from the curious turned to keen desire,
Catching the lure that drifted to the ledge
Where dwelt the tribe in restless decency.
Feeling within the burning of a fire,
With lowered eyes the beast that lay within
Plotted and planned - began to rebel,
Clamored for freedom - raised such noisy din
That to remain would be a greater hell.
And so she scaled the wall;
And gossips mouthed the morsel of her fall.
Days hence, the story goes, upon the sand
There washed the fragment of a human hand
With such a stench upon it, so they say,
As spoke of more than ordinary decay.
Rebel the Second
About the village wall, to left and right
A forest grew - a place of strange delight!
Where pleasures were legitimate and high;
For it was growing at the self-same height
Upon which all mankind shall live and die.
But in its leafy aisles dwelt other men
Who lived not like the dwellers in the walls
But stood within the forest, made low calls
To those whose lives were prisoned in
The more monotonous walls of legal sin.
Men called to maids. Both were exceeding fair.
Yet there was not the same full shade of skin,
Nor yet a similar texture to the hair.
Strong guards stood at the forest gates and barred
The way with signs that read, "Tabu.'
81 But one bright maid within whose heart there warred
A rebel love, with strong defiance eyed
The sign which told her what she dared not do,
Climbed with agile hands the foolish wall;
Answered with eyes aglow, her lover's call.
The woman that was in her found a mate,
So cheerfully she faced an outcast's fate.
Too soon there came to dwell outside the town
A couple in whose unequal yoke no word
Was spoken. Hate passed between them like a sword,
To pierce the very soul, and shatter down
Their love for that which love had given - a third
So like them both - and yet so unlike each
That fellowship was stolen from their reach.
Rebel the Third
In close-walled streets men whispered of the trail
which led to higher levels--pierced the veil
That lay above their prison; challenged all
who dared the only gate within the wall
which had no guard, but stood with doors unbarred
(Except by that poor envy of low minds
who in their misery have forever warred
Against the souls which glorious courage find
To leave their prison in the world's half night
And climb the crags upon a path of light.)
But there is one whose heart within her sings
That God has come to dwell within her breast!
And in rebel stirrings of divine unrest -
Held back by doubt - half-anxious questionings,
She breaks the gasp of ordinary things
And gives herself to climb, with feet like wings
Upon a path of dreams. By faith made fleet
She treads in ecstasy the very clouds of air
As dust beneath her feet.
Those she left below her in the place
where dwell self-blinded men in groping night,
Gaze wistfully upon her face
Glowing through the mist with heavenly light.
****************
Three human hearts with rebel spirits burned.
Two returned!
(1945)
(Rebel minds are common in college; rebel acts less so. Here is the
allegory of three I knew who defied convention.)
STRANGE GIFT
There's a gift the Father gave us
Beyond the power that others share
In this strange and vivid nearness
We keep with us everywhere.
Gifts that makes the miles between us
Just as the' they were not there!
Blessed gift that lets me hold you
When you're burdened down with care.
And my arms in love enfold you,
When you have no help elsewhere.
So I share in your distresses,
And you have a comfort sure
From this wondrous gift that blesses.
I can help you to endure.
So, with all the deep devotion
That a husband ever gave
I will come in each commotion,
As your lover, friend and slave.
All I ask you in return, dear,
When my road of life is long,
And my sky is dark with storm clouds,
And its hard to find a song--
Then, please use the gift God gave you!
Come and hold me to your heart!
Then my joy will know no ending,
And my heartache will depart.
So our gift will be a blessing,
And a solace for each day
Through the comfort of caressing,
Till God gives a better way.
In the meantime when a moment
Comes when we two are alone,
Shall our arms not find each other,
And our two hearts beat as one?
Shall our lips meet without fear, love?
Shall we say "Yes" to our heart?
We should have, when we are close, love,
What is ours when we're apart.
February 1975
THE HORRIBLE PIT
I crept to the edge of passion's brim,
And gazed below as the fearful din
Of souls all twisted and torn with sin--
All seared by a flaming hell within,
-tortured and screaming.
I saw the dragon there, within his den,
And watched him feed on the souls of men,
Devouring--and spewing them out again.
Disgorging them--putrid with filthy stain,
-his lurid eye gleaming.
I saw a youth and a maiden fair,
With frozen and fascinated stare
Trapped with the beast in his filthy lair,
Enwrapt in his coils and beyond all care,
-for virtue's gladness.
A miser was there, all shrunken and old,
With a skin like the master to whom he was sold;
Distended with gorging on silver and gold
'Til his clanking, metal-fed body grows cold,
-in his grasping madness.
And there is the wandering, pleasure-mad throng
Like fire-driven demons they hurry along,
With shouting and stomping, sorrow and song,
They vainly endeavor to silence the gong
-of death resounding.
The dreary and drunken disciple of greed
Is plunging along on a fire-breathing steed.
The chimera of lust is demanding his feed!
Then hurry, fool, hurry! 'is no time to heed
-The death-drums pounding.
And lo! as I shudder and gaze in the pit,
It seems--am I dreaming? -to brighten a bit,
And then, with quick splendor and beauty all lit,
A miracle gleams in the midst of it-
 
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